Had your fill of ambitious experimental projects that span post-rock, tech-metal and everything in between? I hope not; you’ll need room for Cyclamen‘s Senjyu.

We Are Uchu No Ko is something of an every-angle swansong from oddball Japanese psych-punk-dance-noise duo Afrirampo, and a great way to start exploring them.

Hypnos 69 may call stoner rock haven Elektrohasch their home, but Legacy shows they’re all about the sprawling experimental songcraft of the progressive era.

Swans are (not) dead; if you’re a fan of Michael Gira’s crew of noise-rock nihilists, My Father Will Guide Me Up A Rope To The Sky will be manna from hell.

Who better to help Constants explore the largely barren territories between post-metal and post-hardcore than reverb-hungry producer Justin K Broadrick? No one.

Set the controls for the heart of the sun: Carlton Melton start inside a geodesic dome and end up in the far reaches of outer space. Pass It On, man.

In his back-room musical bakery in Cairo, Egypt, Pie Are Squared will cut you a slice of freshly-made experimental industrial ambient doom. Bring your own fork.

Three years after their last studio album, 65daysofstatic return to the scene with We Were Exploding Anyway… and I find myself wishing they’d not bothered.

Berlin prog-metal collective The Ocean tackle the evolution of the Heliocentric world-view; their fifth studio album, and quite possibly their best to date.

Post-rock sort-of-supergroup Red Sparowes return with more ragged wide-screen epics on their new album The Fear Is Excruciating, But Therein Lies The Answer.