Cyberpunk alt-rock quartet Zeropunk are nowhere near as good as they think they are… but they think it hard enough that they might just get away with it.

Hard-to-pigeonhole prog-pop-electro-rock quartet Pure Reason Revolution are back; prepare to be smashed flat with moody bliss between Hammer & Anvil.

Melodic vocals, thrashy guitars, hypertechnical drumming and a bunch of industrial nastiness… Return To Earth have your end-of-the-world soundtrack right here.

Skinny Puppy‘s live shows are legendary in their own right, and with good reason: you’ve never experienced a hypermediated sensory overload like this before.

No, not by me, more’s the pity. I’m ashamed to say that I hadn’t even heard they’d reformed, but Atari Teenage Riot are back, and excellent outsider music site The Quietus has an interview with frontman Alec Empire. I suggest you go read it immediately… if only because there’s no new review here at TDP [...]

It Only Hurts When We Breathe, the debut album from one-man angsty industrial popster Cancer Killing Gemini, sounds an awful lot like Stabbing Westward used to. Which isn’t a terrible thing.

In his back-room musical bakery in Cairo, Egypt, Pie Are Squared will cut you a slice of freshly-made experimental industrial ambient doom. Bring your own fork.

Floating around In Orbit with Buttonmoon is like playing a bit-part role in a moodily soundtracked art-house sci-fi horror flick. Dark ambient industrial? Yup.

Calgary metallers Divinity bring down The Singularity, a maelstrom of hooky and progressive technical metal that sounds like the end of everything you know.

Southampton sleaze-rockers Plastic Toys are still ticking over; “Dirty” is the fourth industrial-synth-pop gem from their debut album For Tonight Only.