Sey Hollo is one Swede’s solo “poor man’s post-rock” project, and it’s a darkly lush collection of moods and atmospheres that all Mogwai fans will find familiar.

Sleazy, sexy-saxy and saturated post-prog is the order of the day; Call Me Dragon by These Monsters is a beefed-up latter-day Court of the Crimson King. SRSLY.

Good news for fans of Oceansize and epic post-rock acts: Reading’s Heights blend virtuoso precision with melody and clarity to great effect on From Sea To Sky.

Stoner-rock bodhisattvas My Sleeping Karma spin the wheel of rebirth a third time on Tri, which is heavy post-rock or mellow post-metal, or something in between.

Heroically disturbing face-taped post-hardcore freaks Kong headline an interesting selection of noisy stuff on the middle date of the three-day Wolves Festival.

Gloriously gloomy post-rock posse iLiKETRAiNS aren’t moping over their lack of record label; instead, they’re asking their fans for cash, and it’s working.

Think all post-rock sounds the same? Well, more fool you – the angular post-cyber grooves of Japanese four-piece Lite will Illuminate your mind and your ears.

Three years after their last studio album, 65daysofstatic return to the scene with We Were Exploding Anyway… and I find myself wishing they’d not bothered.

Post-rock sort-of-supergroup Red Sparowes return with more ragged wide-screen epics on their new album The Fear Is Excruciating, But Therein Lies The Answer.

Lonely and plaintive post-indie soundscapers Motion Picture Soundtrack draw “Glass Figures” with their echoing melodies. Actually, it’s pretty good, this.